Robert Grant's Unleavened Bread (1900) is a keen social novel tracing Selma White's ascent through marriage, reformist rhetoric, journalism, and public life. Written in a lucid realist mode touched with satire, it examines the American cult of self-improvement when severed from humility, taste, and moral discipline. Selma's confidence in her own virtue becomes the book's central irony, allowing Grant to anatomize Progressive-era ambitions, gender debates, democratic manners, and the uneasy relation between culture and success. Grant, a Boston-born novelist, lawyer, and later judge, wrote from within the educated professional class whose values the novel both defends and questions. His familiarity with courts, clubs, civic reform, and literary society informs the book's precise social observation. At the turn of the century, when American women's public roles were expanding and mass culture was reshaping standards of distinction, Grant fashioned Selma as a revealing figure of aspiration without inward refinement. Readers interested in American realism, social satire, and the moral tensions of the Gilded Age and Progressive Era will find Unleavened Bread rewarding. It is especially valuable for its unsentimental portrait of ambition and its sharp inquiry into what a democratic society mistakes for character.