Charles Baudelaire: A Study offers a concentrated critical portrait of the poet who transformed modern lyric poetry through the alchemy of beauty, corruption, sensation, and spiritual unrest. Symons reads Baudelaire not merely as the author of Les Fleurs du mal, but as the exemplary modern artist: lucid, artificial, tormented, and exacting. Written in a supple, impressionistic critical style, the study belongs to the fin-de-siècle moment when English letters were reassessing French Decadence and Symbolism as central forces in modern literature. Arthur Symons was especially equipped for such a task. A poet, critic, and cosmopolitan mediator between French and English literary cultures, he helped introduce British readers to Verlaine, Mallarmé, and the Symbolists through The Symbolist Movement in Literature. His own fascination with music, suggestion, urbanity, and aesthetic extremity made Baudelaire both subject and precursor. Symons writes with the sympathy of an inheritor rather than the detachment of a mere biographer. This book is recommended to readers interested in Baudelaire, Symbolism, Decadence, and the genealogy of literary modernism. It remains valuable as criticism and as a document of reception: a revealing encounter between two artists devoted to the mysteries of style, perception, and the modern soul.