What is there to hope for today? How does hope manifestitself at a time when a linear understanding of the future,of growing prosperity, security, and progress is canceled?How can hope be thought beyond market-driven forms ofworldbuilding? Is there a third approach in which hope asa critical practice opens a path to alternative futures?
After Techno Globalization Pandemic and Kingdom of the Ill,HOPE is the third chapter of the long-term project TECHNOHUMANITIES, exploring the urgent questions of what itmeans to be a global citizen in the present-day dependencybetween ecology, technology, and economy. HOPE bringstogether a wide range of artistic positions from differentgenerations that see the end of future as the start of newbeginnings and an incentive to validate more circular andre-generative practices as a source of wonder and collectivemovement.